Finding the First Antiques Show

October, 1929 Antiquarian Magazine
October, 1929 Antiquarian Magazine

It was suggested to me this week that the history of antique shows extended back to 1934. “That’s nonsense,” my friend Jay Melrose, an antique dealer and show promoter, said when I mentioned this “history” on the phone. It turns out he had in his front hall a few issues of Antiquarian magazines from 1929. The February, 1929 issue contains an article on page 59 about a show that will be held at the  Hotel Commodore Ballroom in March of that year.

The ad reads: First International Antiques Exposition will be held in the ballroom of the Hotel Commodore, New York City, March 25-29, inclusive. Admission $1.00. Collectors and dealers plan to visit the first great antiques show.

The April, 1929 issue contains an ad with a list of dealers. In May an spread with photos reports that with 37,000 attending, the show surpassed all hopes and was packed to point of suffocation and would be relocated to the Grand Central Palace, an exhibition hall. The show would be repeated in Boston in December of that year and then back in New York the following March. The show was run by an outfit called the Antiques Exposition Company and sponsored by Antiquarian magazine, which doesn’t seem to have survived the depression.

More shows were added in the 1930s. An April 29, 1979 New York Times article The Eastern States Antiques Fair Assumes a More Casual Air, says that Clifford Nuttall, a collector, established the Eastern States Antiques Fair in 1935, and it “quickly gained acceptance as an important cultural event that attracted the country’s wealthiest families—the duPonts, the Chryslers and the Rockefellers, among others—who sought to purchase the finest examples of American furnishings for their homes, museums and private collections.” This show, co-managed by Diane Wendy and her husband Cal in 1979, was eventually turned over to management by Wendy and more recently to the producers of Avenue magazine and exists today.

Even the 1929 show of course may not have even been the first show, perhaps only the first “great” one.

About Art After X

With the death of President Kennedy in 1963, America changed. As hard as it is to minimize that sentiment, the effect of Dallas was even greater. The same year saw the merging of the Dallas Museum for Contemporary Arts, which had been central to the art scene, and the Dallas Museum of Fine Arts. Douglas MacAgy, then the director of DMCA, not only opposed the merger, but also declined to directorship of the combined museum. The regionalist movement which had been strong for decades, was giving way to more of an interest in what was going on nationally, and internationally. Like it or not, Dallas was on the national stage. When the Kennedy’s arrived in Fort Worth, local collectors had decorated a hotel room with internationally-renowned works. While the president and his wife learned a great deal about the ability of Texans to collect major art, there was little they could glean about the local scene in this era-defining city. With this in mind, we have begun a project to look not back at the art scene in Dallas, but foreword from 1963. We are interviewing gallery owners, curators and others involved in the art scene then, but this will be a story told mostly through interviews with artists active in the city from that point into the 1980s. The result will be a book with a video component. We hope you will join us in our journey. The hashtag for the project is #artafterx and the url artafterx.com will point to the latest updates on this weblog.

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