LiveAuctioneers Releases World’s first iPhone Auction App

LiveAuctioneers App Technologies, a division of LiveAuctioneers LLC, has launched the world’s first app for real-time bidding through Apple-brand mobile devices. The downloadable app is compatible with both Apple’s iPhone and iPod Touch series, and interfaces with sales conducted by the nearly 900 auction houses worldwide who use LiveAuctioneers.com for their Internet live bidding.

To bid in real time via iPhone using LiveAuctioneers’ new app, the user simply registers online with the auction house of choice, no differently than if they were registering through their PC or Mac. Upon approval from the auction house, the user is authorized to bid through their iPhone/iPod Touch as the auction is taking place. The app isn’t just for bidders, however. Anyone can use the app to view auctions in progress.

The LiveAuctioneers live-bidding iPhone app is a free download available from Apple’s App Store. Those who already have the original version of LiveAuctioneers’ app on their iPhone or iPod Touch also can upgrade directly from their devices through the App Store. The technology is compatible with iPhone or iPod Touch software version 3.0 or later.

About Art After X

With the death of President Kennedy in 1963, America changed. As hard as it is to minimize that sentiment, the effect of Dallas was even greater. The same year saw the merging of the Dallas Museum for Contemporary Arts, which had been central to the art scene, and the Dallas Museum of Fine Arts. Douglas MacAgy, then the director of DMCA, not only opposed the merger, but also declined to directorship of the combined museum. The regionalist movement which had been strong for decades, was giving way to more of an interest in what was going on nationally, and internationally. Like it or not, Dallas was on the national stage.

When the Kennedy’s arrived in Fort Worth, local collectors had decorated a hotel room with internationally-renowned works. While the president and his wife learned a great deal about the ability of Texans to collect major art, there was little they could glean about the local scene in this era-defining city.

With this in mind, we have begun a project to look not back at the art scene in Dallas, but foreword from 1963. We are interviewing gallery owners, curators and others involved in the art scene then, but this will be a story told mostly through interviews with artists active in the city from that point into the 1980s.

The result will be a book with a video component.

We hope you will join us in our journey. The hashtag for the project is #artafterx and the url artafterx.com will point to the latest updates on this weblog.

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