Charlottesville Antiques Show Benefits Preservation Virginia

Antiques in Charlottesville One
The high-style New York City booth of dealer Zane Moss

APVA Preservation Virginia has joined the ranks of other prestigious museums and historical societies to link a major antiques show as a fund raiser and to direct awareness to a great cause. The more than 100 year old organization is dedicated to preserving and promoting the state’s irreplaceable historic structures, landscapes, collections and archaeological sites.


Founded in 1889 by Cynthia Beverley Tucker Washington Coleman of Williamsburg and Mary Jeffrey Galt of Norfolk, the APVA was formed initially in Williamsburg to acquire the deteriorating Powder Horn built in 1715. Celebrating Virginia’s role in representative but limited government, the APVA also acquired in 1897 the vacant site of the colonial capitol, which it ceremoniously marked with a bronze plaque.

In 1893, the APVA acquired a 22.5-acre parcel of Jamestown Island containing the church tower, its graveyard, and nearby Confederate earthworks. It set the tone for one of the largest and most renowned restorations anywhere, Colonial Williamsburg. There are presently 27 properties under their wing.

The show invited supporters statewide to participate in a preview party, luncheon and appraisal clinic as well as the opportunity to purchase fine antiques for their collections. There were 42 prestigious dealers from 14 states and Panama offering furniture, china, silver, jewelry and numerous other decorative accessories appropriate to compliment period as well as contemporary design.

The dealer roster for this show was impressive and included such names as Zane Moss and Roger Winter. The offerings were of the highest quality including a miniature portrait of Admiral Horatio Nelson and a rare pristine John James Audubon print.

Scott Cilley, Northumberland Antiques is a likeable dealer from Richmond, Va. who deals in early furniture, tables, chairs, and small chests with a few select accessories. Rumor has it that he nearly cleaned his booth (of wares) before departure on Sunday afternoon. This is often the case for this popular gentleman. Set up next to Scott was Steve White, White & White, Skaneateles, New York. He also had good luck with furniture and various small items.

Bill Shaefer, Shaefers Antiques has high end ceramic dishes as well as figures. These items are for collectors and his display of Staffordshire bocage figures was outstanding. He seemed happy with the results of the three day show. His only complaint was finding his way around Charlottesville. Silver dealer, Sue Robinette was pleased and said that she was networking for her other Virginia shows.

Antiques in Charlottesville Two
Karen and Lawrence Perlmutter trading as Acanthus Antiques featured this French Louis xv style parquetry commode c. 1900.

Acanthus Antiques of Kensington, Md. had a handsome French Louis XIV style parquetry commode circa 1900. Robert Eric French whose specialty is 18th century glass brought with him several early helmets and swords. He made a nice display with an 1814 Dragoon Helmet and two sabres, one 1833 and one 1840.

Zane Moss from New York City had a stunning booth with wonderful high-end items with high-end prices. Nevertheless this booth added a lot of class to the show and Mr. Moss was very easy to talk with. Likewise Roger Winter of Solebury, Va. who was showing a wonderful William IV pedestal dining table almost 12 feet long listed at $18,500.

Antiques in Charlottesville Four
By John James Audobon and featured in the collection of Howard Price Fine Art of Panama City Panama

The Nelson miniature was in the booth of Bill & Joyce Subjack, Never Bird Antiques from Surry, Va. Howard Price, currently living in Panama, was showing the Audubon print for $22,500 as well as well as a set of Venetian Photogravures by David Roberts and George Catlin. Prints of this quality are seen rarely.

Not all of the offerings were extremely high end. Bob Baker, Poverty Hollow from Newtown Connecticut had a number of decorator items which fit the budget of young collectors as well as some very nice early twentieth century furniture. A garden sun-dial was also part of his display. Several dealers brought items for the garden appropriate to the season. One of these was an iron “garden door” shown by Pete’s Pickens, Upper Falls, Md priced at $850. Peter Nee was a last minute fill in but was able to put together an attractive booth with some very interesting pieces. Still in the garden mode, Peter had a 19th century Fiske Urn and a 19th century architect’s model of an Italian Palazzo.

All in all there was something for just about everyone’s taste and budget. Furniture from the 17th to the twentieth centuries, formal, country, informal and high style. There were Oriental, English and French ceramics, American pottery, silver, jewelry, paintings and prints and lots more. Those who didn’t attend missed a good one.

Several pieces of furniture left the floor while this reporter was present including a two piece highboy.

Antiques in Charlottesville is managed by Melrose and Duddy, LLC and produced by members of the Jefferson Chapter of Preservation Virginia.

Support for Preservation Virginia may be made by contacting Preservation Virginia (804)648-1889 ext 303 or

About Art After X

With the death of President Kennedy in 1963, America changed. As hard as it is to minimize that sentiment, the effect of Dallas was even greater. The same year saw the merging of the Dallas Museum for Contemporary Arts, which had been central to the art scene, and the Dallas Museum of Fine Arts. Douglas MacAgy, then the director of DMCA, not only opposed the merger, but also declined to directorship of the combined museum. The regionalist movement which had been strong for decades, was giving way to more of an interest in what was going on nationally, and internationally. Like it or not, Dallas was on the national stage. When the Kennedy’s arrived in Fort Worth, local collectors had decorated a hotel room with internationally-renowned works. While the president and his wife learned a great deal about the ability of Texans to collect major art, there was little they could glean about the local scene in this era-defining city. With this in mind, we have begun a project to look not back at the art scene in Dallas, but foreword from 1963. We are interviewing gallery owners, curators and others involved in the art scene then, but this will be a story told mostly through interviews with artists active in the city from that point into the 1980s. The result will be a book with a video component. We hope you will join us in our journey. The hashtag for the project is #artafterx and the url will point to the latest updates on this weblog.

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