Little can be found for an overarching or coordinated curatorial effort within participants. To maximize the likelihood of sale, galleries boost the variety in the spirit of “there is something for everyone”. The result was like a holiday bazaar with pricier tags. The art, in consequence, feels and looks, more like commodity than any other time.
The next generation of buyers, living in a virtual world, is more conversant with Instagram or Twitter than TV programs. It is true that there will always be buyers for antiques, high or low; but without a solid base of general interests, dealers will fight an uphill battle of selling slow-moving merchandise on top of incremental show cost
Trading in for a better location, the Dallas International Art, Antiques & Jewelry Show has moved back to the city. Although Market Hall cannot compete with the Irving Convention Center in terms of the facility quality, the show organizers have transformed the hall into a magnificent space – plush light-gray colored carpet throughout, custom walls […]
40 years is long, for human’s life. Yet for art institutions, it’s like a blink. Now, the Kimbell Art Museum, at 40, is celebrating the process of collecting with the largest ever installation from its permanent collection…
To some extent, the Kimbell is having an adolescent anxiety with too much to express out of too little experience. The result is like a melting pot of assorted ethnic cuisines, rejuvenating your bodily sense at first but upsetting your stomach in the end.
“What moves those of genius, what inspires their work is not new ideas, but their obsession with the idea that what has already been said is still not enough.” — Eugene Delacroix Twentieth-century German art is mostly coined by the expressionism at the beginning of the century, epitomized by the Neue Galleries at 86st Street […]
I do not blame those looking at artworks through their 2 by 3 inches LCD screens from the digital cameras. It is part of the human nature to own things, in this particular case to own (or more precisely to record) the experience of visiting. Louvre or Met or any major art institutions have such overwhelming collections that for first-time visitors (especially those foreign visitors who may not be able to visit the museum again in another decade), their desire to cover as many as possible requires “democratizing” the art appreciation so that they either spend meagre time on each one or pass a lot to compensate the time spent on some major “famous” ones. After all, sightseeing in Paris will not be accomplished without a visit to Louvre, nevertheless Louvre is not all Paris offers and to spend 3 hours in Louvre on as few as 30 artworks sounds less efficient or even guilty with regard to the vast collection in the museum. [Read More…]
In a letter by Arnold Lehman, the director of the Brooklyn Museum on June 16, it is declared that the museum has reduced the workforce by 10% including both laying off 12 employees and buy-out departures. Eventually, the museum joins a long list of art institutions which use staff reduction to cut the budget. Indianapollis, Detroit, Walters, and even Metropolitan Museum of Art (closing store staff in this case) have declared laying off early this year.
In yesterday’s NYTimes, Ken Johnson wrote a review of the current exhibition of Hernan Bas at the Brooklyn Museum. In the end, Ken pointed out a touchy question: How much the cost saving factor impacts the decision of the installation of a retrospective show of an artist who is just getting started ? Here is the excerpt: But the […]
Looking at the works by Hernan Bas at his solo exhibition in Brooklyn Museum, I was pondering what inspired Mr. Bas with all these pictures. His male figures, though never taking too much space of each picture, have a Cézannian directness from plane colors and small yet visible brushstrokes. However, the architectural solidity in techniques melts down in the overtone of sexuality and near hallucinated fantasy. Are Miami gay scene that decadent?
In all pictures, only one type of persons are depicted: white teen male, smooth and slender, mostly naked or if not in certain narcissism way. Even Jack McFarland in Will and Grace would look more butch compared to them. But luckily they don’t live in this world, or should I rephrase, they are not willing to live in this world. They would take the time shuttle from the 21st century Florida to Hellenic or Roman period, and play the drama of being sardonic or saintly, love wooer or love martyr.
Then came the touchy question? Can blacks rightly claim the Egyptian cultural heritage?
Dr. Zahi Hawass commented that “Egyptians are not Arabs and are not Africans despite the fact that Egypt is in Africa”. [Read more…]