Author Archives: Lin Wang

Art and Craft Landis Picasso Movie Screen Shot

Not That Easy — Movie Review of Art and Craft

Not That Easy — Movie Review of Art and Craft

The first time I read about Mark Landis, from New Yorker magazine around 2013, I thought the story would make a great film. And now the film is out. As a documentary, Art and Craft has its fundamental flaws. By the time Sam Cullman and Jennifer Grausman started the film, Landis had become too prominent

Artspace Selfie with Anne Weary, Vera Barnett and Eric Miller

Regional Talents Shine in Fort Worth

The first regional juried exhibition at Artspace 111 opened on June 20. It limits its geographical scope to artists residing in Texas, Oklahoma, New Mexico and Louisiana. Although including neighboring states opens the door to more talent, majority of the participants are local. Dr. Ron Tyler, former director at the Amon Carter Museum of American

David Bates at Fort Worth Modern

On Bates and Regionalism

In an article published in Fort Worth Star Telegram, David Bates commented: “Regionalism is a nasty comment. It makes art seem small-minded. There is no difference between what I do or what Marsden Hartley or Diebenkorn did. What I do couldn’t be more American. You can look at German art as regional, Chinese art as

Fort Worth Show Dolly Johnson

50 Years and Into the Fort Worth Show

About three years ago, I attended my first antiques show after moving to Texas — the Dolly Johnson Show. Although the show had gone more mid-century and industrial than in previous years, the show stopper then was the Susanna Fuller White trunk, from the Mayflower. Americana was still the heart and soul of the show.

The Old Jail Art Center, Albany, TX

The Artist Behind the Collection — Bill Bomar and the Old Jail Art Center

Albany is one of those small towns of Texas- by the time you read its name from a road sign, it’s almost behind you. Its museum has an unassuming name – the Old Jail Art Center. You would expect to be surrounded by bluebonnets or longhorns paintings, and be ready to associate with it the

Sarah Williams Pavement

Remote America

Stunningly beautiful, it is distillation of our collective memory of sharpened sense of places, when we were dislocated and lost in the anonymous, vast rural land. Growing up in the heartland, Williams drives around Missouri to take pictures for inspiration. The night scenes are ubiquitous. They help wipe out elements unnecessary for compelling compositions. Although it is tempting to ravish viewers with that brute force gravity of a dark background, Williams seeks beyond: Exquisite and extreme colors under artificial light.

Top