Sue Severson’s posthumous exhibition at Gallery 321 isn’t something you would expect in Hollidaysburg, a quintessential Pennsylvania place famous for its Victorian architecture and small town charm. Through her work, Severson brings the big city bustle to the mix. Severson was not a native. A Brooklynite who went to the Art Student League and Brooklyn […]
There is a sense of fluidity, deeply rooted in canon of western art. That virtuosity is met with directions and means. Glier have applied incongruent techniques of painting and drawing which span over centuries in art history. But oddly, they not only are sensible aesthetically, but also speak authoritatively.
“Temple of Small Wishes” touch the commonality of ordinary life. We often forget the pleasure derived from meeting our basic needs. We take them for granted. But as trivial as shaving, indoor plumbing or comfortable napping, it is the universal desires all humans share. For some, they are the luxury of obliviousness. For others, they are out of reach. Roberts neither comments nor criticizes. Here, she simply paints the joy and enshrines such happiness so we all can embrace.
All art is autobiographical, Fellini declared. For Miles Cleveland Goodwin, those snippets of life in rural Mississippi make up his artwork in the current solo exhibition at Value House Gallery and Sculpture Garden. As a city of concrete and glass, Dallas hasn’t been at the forefront of persevering vanishing America. But the imageries of Goodwin, if nostalgic by nature, are less about the old South than a reflection of his reality. The relentless process of ruin and abandonment, in an eerie way, is sort of romantic and comforting.
You may know Mexico City-based Leslie Moody Castro from her recent series of articles in the Dallas Observer. Moody Castro came here for a residency at CentralTrak, but unable to get enough funding for her project, thought she could make a bigger splash and impact by leaving the gallery empty and engaging the community in […]
Julian Onderdonk is best known today as a painter of misty landscapes covered in bluebonnets. His work is the pride of museums and his paintings, particularly those of Texas Hill Country landscape, are highly sought by collectors. But a large portion of his work remains to be discovered. Julian’s father, Robert Jenkins Onderdonk, was a New-York […]
Woman (Study for Marilyn Monroe), an original pastel and mixed media on paper by Willem de Kooning, is the expected top lot at an upcoming auction and could bring $900,000. The auctioneer is Ahlers & Ogletree of Atlanta. The unframed work, done circa 1950s possibly served as a study for another de Kooning classic, Marilyn […]
Williams recalls when once someone told her that there was nothing in Missouri. “I felt hurt,” she says. “I love my home state. And I feel whenever someone takes a painting of mine home, they take a piece of Missouri with them. I am so happy for that.”
In August, 1972 Newsweek ran a story on the Oak Cliff Four, a group of talented, media-savvy artists in Dallas. Excitement abounded in the art community, and some predicted the group would lead the city of Dallas to “art center” status. A few months later the Tyler Museum of Art launched a show featuring the […]