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	<title>Urban Art and Antiques &#187; Music</title>
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	<link>http://www.urbanartantiques.com</link>
	<description>antiques and art news, views and commentary</description>
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		<title>Remorse From An Underbidder, or How I Could Have Owned A Piece of Gustav Mahler, But I didn&#8217;t. Yet I Am More Likely To Own One In Future</title>
		<link>http://www.urbanartantiques.com/2009/gustav-mahler-emil-orlik-swann-galleries/</link>
		<comments>http://www.urbanartantiques.com/2009/gustav-mahler-emil-orlik-swann-galleries/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 13:46:11 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Auction]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Auguste Rodin]]></category>
		<category><![CDATA[drypoint]]></category>
		<category><![CDATA[Emil Orlik Gustav Mahler]]></category>
		<category><![CDATA[etching]]></category>
		<category><![CDATA[Swann Auction Galleries]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=3214</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/gustav-mahler-emil-orlik-swann-galleries/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/uploads/mahler-150x150.jpg" class="alignleft wp-post-image tfe" alt="Lot 68 at Swann Galleries" title="Lot 68 at Swann Galleries" /></a>With all these uncertainty in my mind, I left an absentee bid, which as the title said, was not high enough. From a collecting point of view, I always think it is actually nice not to get the first hunt in a new field so that the interest and passion can be tested over time while the knowledge can be further enhanced. Falling in love at the first sight is romantic, but collecting is not dating, but marriage with the goal of life long harmony and enjoyment (albeit sometimes "divorce" may happen"). In this case, the second look or third look is more important. The question is: Can I find another piece of Mahler by Emil Orlik? [Read More...]]]></description>
		<wfw:commentRss>http://www.urbanartantiques.com/2009/gustav-mahler-emil-orlik-swann-galleries/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>John Tefteller Wins Record on Ebay, Issues Press Release</title>
		<link>http://www.urbanartantiques.com/2009/john-tefteller-wins-record-on-ebay-issues-press-release/</link>
		<comments>http://www.urbanartantiques.com/2009/john-tefteller-wins-record-on-ebay-issues-press-release/#comments</comments>
		<pubDate>Fri, 28 Aug 2009 18:27:10 +0000</pubDate>
		<dc:creator>Geo</dc:creator>
				<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[78 rpm record]]></category>
		<category><![CDATA[D. A. Hunt]]></category>
		<category><![CDATA[eBay]]></category>
		<category><![CDATA[Greyhound Blues]]></category>
		<category><![CDATA[Sun records]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=2827</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/john-tefteller-wins-record-on-ebay-issues-press-release/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/uploads/SunLogo-150x150.jpg" class="alignleft wp-post-image tfe" alt="SunLogo" title="SunLogo" /></a>Lots are won on eBay every day, some with high prices, but few buyers respond to a winning lot by issuing a press release. Oregon Blues Collector and longtime Rare Records dealer John Tefteller won a recent eBay auction which featured a previously unknown and potentially one of a kind Blues 45 rpm record produced by the Sun label back in 1953.  "I think I stole it,” said Tefteller in his release. [Read More...]]]></description>
		<wfw:commentRss>http://www.urbanartantiques.com/2009/john-tefteller-wins-record-on-ebay-issues-press-release/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Collecting Classical CDs</title>
		<link>http://www.urbanartantiques.com/2009/collect-classical-cd/</link>
		<comments>http://www.urbanartantiques.com/2009/collect-classical-cd/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 05:31:55 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=2302</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/collect-classical-cd/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/uploads/richterprague-150x150.jpg" class="alignleft wp-post-image tfe" alt="Sviatoslav Richter a Prague, Hard to find CD set" title="Sviatoslav Richter a Prague, Hard to find CD set" /></a>So how long will the market begin to see the collectible values of CDs? If the question is asked a few years ago, I would say not soon. But with the rapid growth of music content on internet, music is on the final stage of being decoupled from its media.  Every movement toward some new style may also trigger the nostagia sentimentality. No matter in what age, the desire to own tangible things is part of the human nature. Thus the day when we cannot 't find a regular online store to buy CDs will be the days when memory of physical solidity associated with music demands a space in antiques mall allocated for these plastic discs. You may think this may come a long way, but the trasition is happening, at a lighting speed that you may not notice.]]></description>
		<wfw:commentRss>http://www.urbanartantiques.com/2009/collect-classical-cd/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Pursuit of Inconvenient Music</title>
		<link>http://www.urbanartantiques.com/2009/78-rpm-record-collection/</link>
		<comments>http://www.urbanartantiques.com/2009/78-rpm-record-collection/#comments</comments>
		<pubDate>Sun, 12 Jul 2009 13:59:25 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[78 rpm record]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=2255</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/78-rpm-record-collection/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/uploads/78par-150x150.jpg" class="alignleft wp-post-image tfe" alt="Early American rural blues 78s inspires the highest prices" title="Early American rural blues 78s inspires the highest prices" /></a>“There are some people who would kill their own mother for the only copy of a Son House record, and they sure as hell would kill your mother, and you.” From the article "They’ve Got Those Old, Hard-to-Find Blues" by Amada Petrusich on New York Times.

At the age when almost every piece of music on earth can be downloaded from online and be played on a tiny plastic equipment, there are still people who are fervent for collecting some "unwieldy, impractical and unstable" records which only holds two to three minutes music per side, for thousand dollars or even more.]]></description>
		<wfw:commentRss>http://www.urbanartantiques.com/2009/78-rpm-record-collection/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Triumphant Escapism</title>
		<link>http://www.urbanartantiques.com/2009/the-triumphant-escapism/</link>
		<comments>http://www.urbanartantiques.com/2009/the-triumphant-escapism/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 21:01:45 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Bavarian Radio Symphony Orchestra]]></category>
		<category><![CDATA[Mariss Jansons]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=1347</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/the-triumphant-escapism/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/plugins/thumbnail-for-excerpts/tfe_no_thumb.png" class="alignleft wp-post-image tfe" alt="" title="" /></a>Now it has changed: Young generation of Chinese talk about Shostakovitch, Boulez, or John Adams, but 50 years ago, the only officially approved western music in China was of Russian School. Less rhetoric than German, less dandy than French, Russian music is one of the kind that my father&#8217;s generation felt and loved. The Bavarian [...]]]></description>
		<wfw:commentRss>http://www.urbanartantiques.com/2009/the-triumphant-escapism/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Fates of Music Halls</title>
		<link>http://www.urbanartantiques.com/2009/severance-hall-syria-mosque/</link>
		<comments>http://www.urbanartantiques.com/2009/severance-hall-syria-mosque/#comments</comments>
		<pubDate>Sat, 24 Jan 2009 13:21:34 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Art Deco]]></category>
		<category><![CDATA[Cleveland Orchestra]]></category>
		<category><![CDATA[Nathan Milstein]]></category>
		<category><![CDATA[Pittsburgh]]></category>
		<category><![CDATA[Pittsburgh Symphony Orchestra]]></category>
		<category><![CDATA[Severance Hall]]></category>
		<category><![CDATA[Syria Mosque]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=679</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/severance-hall-syria-mosque/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/uploads/hall1-150x150.jpg" class="alignleft wp-post-image tfe" alt="Severance Hall" title="Severance Hall" /></a>Concertgoers, when entering the grand main lobby and see the restored shimmering golden hall, will sure agree with Alburn's assertion that "Severance Hall is one of those singular and complete triumphs which come to an American community infrequently, if ever". [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Simple Gifts To Obama&#8217;s Inauguration</title>
		<link>http://www.urbanartantiques.com/2009/simple-gifts-john-williams-obama/</link>
		<comments>http://www.urbanartantiques.com/2009/simple-gifts-john-williams-obama/#comments</comments>
		<pubDate>Wed, 21 Jan 2009 02:48:31 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Air and Simple Gifts]]></category>
		<category><![CDATA[Alison Krause]]></category>
		<category><![CDATA[Arron Copland]]></category>
		<category><![CDATA[Barack Obama]]></category>
		<category><![CDATA[Itzhak Perlman]]></category>
		<category><![CDATA[John Williams]]></category>
		<category><![CDATA[Lincoln Portrait]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=645</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2009/simple-gifts-john-williams-obama/"><img align="left" hspace="5" width="150" src="http://farm4.static.flickr.com/3388/3199867022_c6b1b675fc.jpg?v=0" class="alignleft wp-post-image tfe" alt="Inauguration From Flickr Commons" title="Inauguration " /></a>Although "Lincoln Portrait" was withdrawn because of the political reason, it still remains as Copland's most performed piece. Perhaps there is no better timing than today that "Lincoln Portrait" should be performed for the inauguration of the first African American president in the United States. From the 16th to the 44th president, America has taken a long road to illustrate the essence of democracy.[...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Indeterminate &#8212; Part 1</title>
		<link>http://www.urbanartantiques.com/2008/the-indeterminate-part-1/</link>
		<comments>http://www.urbanartantiques.com/2008/the-indeterminate-part-1/#comments</comments>
		<pubDate>Tue, 28 Oct 2008 02:27:00 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Antoine Watteau]]></category>
		<category><![CDATA[Gustave Mahler]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=146</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2008/the-indeterminate-part-1/"><img align="left" hspace="5" width="150" src="http://www.brynmawr.edu/hart/Syllabi/levine/HART%20107%202006/1718%20Watteau%20Gilles.jpg" class="alignleft wp-post-image tfe" alt="" title="" /></a>I have found the art, regardless of its form, attracts me the most when the meaning of it is bordering between vaguely suggestive and elusively evolving, in space, time and above all in human minds. When I was in the elementary school, Tchaikovsky&#8217;s endless melodies ran like spring water flowing through my toes. They are [...]]]></description>
		<wfw:commentRss>http://www.urbanartantiques.com/2008/the-indeterminate-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MTT at Carnegie Hall</title>
		<link>http://www.urbanartantiques.com/2008/mtt-at-carnegie-hall/</link>
		<comments>http://www.urbanartantiques.com/2008/mtt-at-carnegie-hall/#comments</comments>
		<pubDate>Sat, 27 Sep 2008 15:14:00 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Topics]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Brooklyn Museum]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[Michael Tilson Thomas]]></category>
		<category><![CDATA[San Francisco Symphony Orchstra]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=134</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2008/mtt-at-carnegie-hall/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/plugins/thumbnail-for-excerpts/tfe_no_thumb.png" class="alignleft wp-post-image tfe" alt="" title="" /></a>On the third night that Michael Tilson Thomas and his San Francisco Symphony Orchestra took the stage of Carnegie Hall, the program fell back into conventional: a compact symphony by Knussen preludes Beethoven 9. Knussen’s symphony has extremely crafted texture and colors: strings either contributed ghostly tremolos or chopped abruptly with percussion-wise sound. It is [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Unutterable</title>
		<link>http://www.urbanartantiques.com/2008/the-unutterable/</link>
		<comments>http://www.urbanartantiques.com/2008/the-unutterable/#comments</comments>
		<pubDate>Tue, 16 Sep 2008 02:36:00 +0000</pubDate>
		<dc:creator>Hui</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Brooklyn Museum]]></category>

		<guid isPermaLink="false">http://www.urbanartantiques.com/?p=130</guid>
		<description><![CDATA[<a href="http://www.urbanartantiques.com/2008/the-unutterable/"><img align="left" hspace="5" width="150" height="150" src="http://www.urbanartantiques.com/wp-content/plugins/thumbnail-for-excerpts/tfe_no_thumb.png" class="alignleft wp-post-image tfe" alt="" title="" /></a>It is as hard to imagine music without late Beethoven as to understand why they were so cherished when I was younger. My tastes in fine art appreciation, in retrospective, seem to follow a similar route. Late Beethoven has forlorn the grandeur discourse and exceptional prowess, instead he expressed a sense of instability that roots [...]]]></description>
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		<slash:comments>0</slash:comments>
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