Talavera Pottery at Crow Collection of Asian Art

The show coincides with an election stirred by a rhetoric promoting nationalism, in the phrase of “America First”. Apolitical as it may seem, Talavera pottery states that cultural identities are sediments of innovation and development, through generations of both indigenous and foreign minds, all becoming possible when the world revolves into one global community. Sure, Chinese, Muslim, and Europeans all have left their marks on this pottery, so what? In the end, it is uniquely and truly Mexican.

Japanese Fashion at the Crow Back left: Yoshi Yamamoto, Sweater and underdress, wool, 2012 Back right: Issey Miyake, 132_5 Dress (polyester) 2010-2011

East Meets Texas, Part 1–Mary Baskett Collection of Japanese Fashion at the Crow Collection of Asian Art

Two exhibitions have brought Japanese art to the city of Dallas. It is a welcome change from shows like the staid flower paintings of Bouquets at the Dallas Museum of Art (DMA). These two exhibitions, one at DMA (Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga) joined The Mary Baskett Collection of Japanese […]